The Social Corp

Month

May 2012

6 posts

Going back to social media marketing basics

[shared via Google Reader from Socialising The Corporation]

Markets are conversations - this ain’t no spectator sport.

For the last couple of years I’ve had the good fortune to be the guest social media lecture for the Australia Direct Marketing Association (ADMA) digital marketing course.

The presentation keeps away from the ‘big numbers’ and focuses on the essence / dynamics of social media. One slide highlights The Cluetrain Manifesto.

Markets are conversations
For those of you not familiar with The Cluetrain Manifesto, it was originally developed as a website. The Cluetrain Manifesto is believed to be one of the first websites published as a book. The Cluetrain Manifesto focuses on how the internet can transform traditional business practices.

During the lecture I refer to the first three manifestos.  They are:

  1. markets are conversations;
  2. markets consist of human beings, not demographic sectors; and
  3. conversations among human beings sound human.  They are conducted in a human voice.

Businesses are built around people
At the same time I was preparing to give the lecture, I was reading ‘Grouped’ written by Paul Adams.

Paul was the closing presenter at Facebook’s Hack Sydney session.  You can read more about what Paul discussed in my post about Facebook’s Hack Sydney event.

In ‘Grouped’, Paul wrote “experiences are better when businesses are built around people”.

Paul’s proof point is Facebook photos.  Paul states that “Facebook Photos was not built around the content, it was built around the people, and people cared much more about seeing their friends than seeing high-resolution photos, or beautiful landscapes.”

Every so often we need to check back in to get a reality check.

Recalibration
Drowning in the minutia of emails and meetings, revisiting The Cluetrain Manifesto and reading Grouped was an opportunity to return to basics.

It refreshed my belief that social media can help refresh the traditional corporation and make it relevant in today’s connected world.

It re-enforced the idea that corporations need to think and act differently when including new media into their mix of marketing assets and strategies.

It reminded me that corporations need to move away from ‘customer centricity’ rhetoric and move towards a ‘business built around people’.

I’ve written this post because I got a lot out of my unexpected ‘recalibration’ and wanted to share the experience.

What have you read or watched recently where you benefited from ‘going back to basics’?

May 22, 2012
#ifttt #reader
The 10 Best-Branded Companies on Instagram

[shared via Google Reader from HubSpot’s Inbound Internet Marketing Blog]

Earlier this year, we profiled five brands that have each built themselves a solid marketing presence on Instagram, the popular photo editing and sharing social network so often linked to Twitter and Facebook updates. We’ve also stressed the why and how of using Instagram for marketing, citing the increasing importance of mobile marketing, and how that should be playing into the strategies and tactics of your social media marketing.

Now, I’m sure most of you know that social media is important. I’m also confident that many of you know some basic strategies. But let’s talk about the Earlybird-filtered big picture: when it comes to presenting your brand on social media, your reputation and brand image is only as strong and complete as your most recent update. If your content is off-brand, your image will come across as confused, incomplete, or just plain wrong. That’s not to say you should be dropping nothing but explicitly on-product tweets, but to say that your content, be it original or shared, should always carry within it some sort of a representation or affirmation of your brand’s identity in some way. In fact, a Facebook study just recently confirmed this very philosophy!

An interesting way to explore this constant depiction of brand values and traits is through—you guessed it!—Instagram photos posted by brands. Check out the following images and learn how these ten companies completely nailed the representation of their respective brands.

Annie’s Homegrown



Annie’s Homegrown has done an excellent job of asserting its brand identity as an all-natural, organic, and healthy provider of foods Americans love, from macaroni and cheese to frozen pizza to fruit-flavored gummy snacks. The brand understands how important these qualities have become to its target demographic, so its Twitter strategy is based upon sharing product news, tasty-sounding recipes, and Instagram photos. This shot of a wooden version of Annie’s logo keeping guard over a small vegetable garden incorporates several important parts of Annie’s brand identity. It takes the brand’s logo, already cute and loveable, and places him directly amidst the action of the brand’s foundation. Additionally, the garden is small, and looks to be on a residential street instead of a factory, implying that Annie’s ingredients are not only natural and organic but also as homegrown as the brand name implies.

Billboard



Billboard is, like many other publications that originated in print, evolving its strategy to mesh with the era of real-time social content. On Twitter, Billboard uses Instagram to capture photos of the stars gracing its pages and share their presence within its brand in real time. The Billboard brand is based on its knowledge of who’s on top in the music industry, and its revelations of music previews, exclusive photographs, and breaking news in the music industry. Twitter is an excellent platform for Billboard to explore these real-time aspects of its brand identity, and Instagram allows for this exploration to turn into proof – Billboard can reveal its latest associations in more casual, semi-candid photographs, which make the stars—and thus, Billboard—appear more real and genuine.

Brisk


Brisk has gone through quite the evolution as a brand. Named after an archaic definition of the word ‘brisk’ that means ‘tangy,’ the drink has become Lipton Tea’s attempt to compete with various other popular canned tea drinks in today’s beverage-to-go market. This Instagram photo of a hand just about to pop the tab on a can of Brisk, coupled with a caption referring to the can as an alarm clock, serves two brand-representation purposes: it cues the viewer to imagine the scene playing out, watching the hand open the can and hearing the satisfying popping sound as the task is completed. The filter of the photo is one of Instagram’s many filters meant to call-back to older photos, just as Brisk’s name recalls an earlier definition of a flavor. This makes the brand seem both long-lasting and nostalgic, yet entirely modern due to the update’s home in social media.

The Boston Celtics



The Boston Celtics are quite the social basketball team. Their Twitter presence is huge, from the individual players’ accounts to the strong social media strategy utilized to market the Celtics as more than just a basketball team, but also a brand built on the history of Boston, the luck of the Irish, and the joy of the game. They’re a team that builds its reputation on hard work and fast-paced play. This Instagram photo, sent out in a tweet just before the start of a game, captures a real-time moment that likely passed without notice, but displays the team’s togetherness, dedication to the game, uniformity, and excitement to go play, all in one shot. It also assists with the Celtics’ down-to-earth reputation in delivering a photo that is close-up, placing the fans’ viewpoints on par with the players, and low to the ground, literally implying that the team is down-to-earth and willing to put their noses to the grindstone to get to work.

Coach



Coach can sum up its brand identity in three words: classy, trendy, and luxurious. Seeing a Coach logo on a bag instantly raises the bag’s (and carrier’s) social capital, and the price tags attached to Coach bags are more than enough evidence to point toward their earned status as a luxury brand. In Coach’s Twitter feed, ample evidence of these three points are pronounced, but none are as pronounced as in its Instagram account. In this image, Coach divides a purse into three smaller photographs, all muted by a filter to suggest the classiness of the bag, despite its loud, unmuted color. The logo is present in two of the photographs, with the third zeroing in on the handcrafted detail of the bag, reinforcing Coach’s high-quality reputation by showing consumers the details in a setting more causal than a photography shoot, and more personal than a busy store.

Forever21



Forever21 is a clothing brand dedicated to affordable, trendy fashion. Despite its smaller price tags and distinctly non-couture reputation, from its name, Forever21 indicates that with its brand, it’s attempting to emulate a timeless feeling, through which clothing buyers can remain rooted in a particular time or age. In this Instagram shot, sent out over Forever21’s official Twitter account to announce some new arrivals to its stores, the recently-declared-back-in leopard print trend is paired with timeless fashion staples, and then sent through a nostalgia-inducing filter that ages the photograph back to the last time leopard print was in.

PepsiMAX



PepsiMAX is one of the newest product launches of megabrand Pepsi, and can be classified as Pepsi’s attempt to bridge the energy drink and “healthy” soda categories for sales. The brand identity pushed for PepsiMAX is that of something fresh, modern, and exciting, while also familiar to the trusted Pepsi brand consumers know and love. The Twitter feed for PepsiMAX, separate from its parent brand, serves to illustrate these seemingly paradoxical qualities, especially through its liberal use of Instagram. In this photo, we see an over-saturated image of a PepsiMAX can and a billboard of its ad campaign, indicating the real-time freshness of the drink and the update alike, paired with a foosball table, an activity that has been around for years that requires focus and one-on-one competition. PepsiMAX asks us to recall the in-the-moment feeling of playing a fresh round of a game we’ve all known for years, pairing that memory with its brand offering.

Puma



Puma is a footwear brand with attitude. Originally choosing to instill the quickness, agility, and hunting prowess of a puma cat with its footwear, this Instagram photograph suggests a far more laid back image. With the old photograph-toned filter, the presence of a pair of shoes on a person and a pair of shoes shed from a person, as well as the leisurely pace of the activity portrayed, it shows consumers that Puma shoes don’t only allow you to speed past every opportunity, but they also get you to places you can enjoy with others, and remember for a long time. While Twitter is fast-paced, filled with customer service interactions, product announcements, and other news, Puma’s Instagram account is a refreshing change, reminding users that Puma knows its product isn’t just about the journey; it’s also about the destination.

Sharpie



Sharpie is an odd presence on Twitter. Its flagship product, permanent markers, is hardly something that seems easy to market on Twitter at first glance; however, the acute focus on artistic freedom and expression that Sharpie integrates into its brand makes it one of the most successful social branding companies on Instagram. Many of its Instagram snapshots, each posted to Twitter and enjoyed by many followers, does not feature the markers themselves, but rather their ink as applied to some sort of canvas by unique individuals. In this particular composition, for example, Sharpie has brought alive an artist’s passion for music, through the quick, black-and-white illustration of old-school headphones. Choosing headphones over earbuds indicates a preference for the classic, timeless instruments that have a permanent place upon the scene, which are exactly what Sharpie markers and their permanent inks are intended to be.

Starbucks



Starbucks got a mention in our last Instagram post, too, and it’s no wonder why. The coffee retailer is almost definitely the brand making the absolute most out of its Instagram-centric social media strategy. Starbucks strives to be seen as a local-friendly, socially conscious coffee shop that happens to have, oh, a few locations, rather than just another large corporate chain. In this particular image, we see bags of beans, for sale in the shops, that subtly boast the Starbucks logo, and a tray of samples of this coffee, conceivably headed for the counter of the tweeter’s local Starbucks location to be handed out to individuals. The coffee is unaltered, and the background is dimmed to black, allowing Starbucks to assert that when it comes to its brand, two things matter: the coffee and the customers’ opinions.

How could you depict your brand in an Instagram photo? What filter would you use?



May 21, 2012
#ifttt #reader
How to influence the customer journey

[shared via Google Reader from iMedia Connection: All Feeds]

How many devices do you have within reach right this minute?

How many screens? How many apps and tabs are open on each screen? Is one of them a TV? An e-book? A smartphone or tablet? Which ones are you paying the most attention to? How long does that attention last, and what causes you to switch channels — or devices?

As consumers flit like hummingbirds between a plethora of devices, screens, and messages simultaneously, even private space is invaded with as many messages as a virtual Times Square. How can marketers and publishers harness attention when it’s so fleeting? What causes distractions? How do customers determine which channel they’ll use for what information — a search engine? A social network? SoLoMo?

What influences the journey, and how do experiences across channels and devices shift — or remain consistent?

Get connected. Want to stay on top of the latest trends that are driving business for today’s digital agencies? Attend the iMedia Agency Summit, May 20-23. Request your invitation today.

These are the questions the bulk of my research will attempt to answer in the coming months, so it was interesting to see a report publish this week that also examines the dynamic customer journey. The survey, published by PulsePoint, terms the phenomenon the “digital divide.” That term traditionally refers to digital technology haves and have-nots, generally divided by socio-economic lines. The survey reframes “digital divide” to refer to the rift “between consumers engaging in real-time across channels, versus the digital marketing industry that is still largely siloed and not executing in real-time.”

PulsePoint’s survey places a great deal of emphasis on the need for improved real-time marketing capabilities to address the dynamic customer journey (i.e., real-time data and analytics, dynamic content delivery systems, and the ability to make faster decisions and take immediate action). Always-on has never felt so “always,” or so “on.”

Image sourced from PulsePoint Digital Divide.

But real-time, while critical to addressing the dynamic customer journey, is far from the only element that must be mastered in terms of technology, ability, and best practices.

The growing complexity of digital advertising, marketing, and publishing has led to increased vertical “siloization” and channel specialization. Customers expect integration and consistency as they pursue content across multiple channels and devices, but cross- and multichannel integration is not yet one of those areas boasting its own specialists. These specialists will doubtless soon be required, and they will have to be vested with considerable power to bring disparate players to the table and encourage them to cooperate.

A changing media landscape is a major factor in the dynamic customer journey. Together with my research partner Jeremiah Owyang, I’m currently looking , at how paid, earned, and owned media are conflating. Customer reviews and community posts are incorporated into ad units — both examples of earned media becoming paid media. Ads become content in online channels, particularly campaigns with high viral or entertainment value. Facebook wall posts (owned media) morph into paid ad units.

As fluidly as consumers switch screens, so does content flit between paid, earned, and owned channels. Do consumers differentiate between these channels? We believe less and less, if at all. In the end, content is what matters because content is, after all, what these dynamic, fast-moving consumers are pursuing.

How can marketers influence these journeys? Through users’ social graphs, via experts, commercial media, or their own owned channels?

That’s what we’re trying to uncover.

Rebecca Lieb is an analyst, digital advertising/media, for Altimeter Group.

On Twitter? Follow iMedia Connection at @iMediaTweet.

“Handsome businessman in tailor seat juggling,” “Tablet PC,” “Black stylish glossy widescreen,” “Touchscreen smartphone,” and “Old textured paper with sunburst” images via Shutterstock.

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May 8, 2012
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Social Business: Where It's Been & Where It's Going

[shared via Google Reader from Logic+Emotion]


“Chasing the past, I stumbled into the future”. - T A Sachs

I’ve always been a firm believer that in order to look to the future, we must look back to and fully grasp the past (and the present). Having had several recent engaging conversations with smart people who I respect, I’ve picked up a hint of exhaustion around usage of the word “social”. Could it be that some who saw the “change” coming years ago are weary of having carried that torch for so many years as we move into the heavy lifting? It’s natural to want to move to the next thing—but I’m convinced that today we are largely still talking about the “social media” era. The best of “social business” is yet to come in my opinion and we have a lot of work to do in between. Let’s take a look back before we begin to look forward. 

Digital: The Interactive Revolution
When I entered the workplace—the world was already in the process of going digital. E-mail was just being introduced and I had gotten a job immediately largely because I entered the business world with a valuable skill—I was taught desktop publishing (ie computer aided design) in addition to design fundamentals. The digital revolution initially begun by replacing the analogue world. Music was digital and computers offered an interactive medium to produce upon. Digital began seeping into personal and professional lives and organizations, businesses and industries had to evolve along with it. Most did and the ones that didn’t were outperformed. 

Digital Media: Information Goes Online
The second wave of the digital revolution began to gain steam as the internet became move pervasive. The “Web” became first accessible through browsers and then it became the search engines which organized what we then called “the information highway”. A new digital economy was born as companies rushed to stake their claim online. The “corporate” Website was born—essentially a glorified brochure for your organization however the business world began to wake up to the fact that not being on the Web was perhaps risking being irrelevant. This sentiment is important to take into account as we currently wrestle with the current state of social media. Looking back to the “Digital Media” era provides some insights as we look at how social media has evolved. 

Digital Business: The Transactional Era
As the Internet, fueled by digital media and a wealth of information became more pervasive, the Internet evolved yet again creating new ecosystems resulting in new companies (Amazon, *eBay etc.) and creating opportunities for existing companies to extend their business models. Banks introduced online banking. Insurance companies supported online quotes. Cars could be customized and even purchased online. Large organizations grappled with back end integration as infrastructure was re-engineered. Digital had become not only interactive and informational, but it became transactional—offering organizations new ways to connect with customers or even employees (intranets). In short, digital became business and the flurry of activity in the form of mergers, acquisitions and the growth of system integrators reflected this.  

Social: The Human Web
With digital now established as transformational business tool—the Internet and the world began to evolve again. Early incarnations of a “social Web” such as message boards and forums gave rise to early social networks and the “blogosphere”. Networks such as My Space or Friendster introduced the concept of managing a social profile on the Web while blogs began to disrupt the media landscape by empowering anyone to act like a journalist or publisher. The ‘Digital Media” era was largely powered by technological connections—computers being connected to a global network. The Social era was powered by people connecting to each other forming a “human web”. The word social becomes key during this era, because we begin to shift behavior during this phase. No longer are we just interfacing with digital systems (human to computer) but we begin to interface directly with each other (human to human). 

Social Media: Global, Local, Mobile Connectivity At Scale
Today, we live and interact with a digital world which is not only about finding information but is about being “connected”. These connections are no longer limited to the personal computer, the primary vehicle which allowed for the original digital revolution to take hold years before. Mobile technology and an “always on” mindset for many individuals now blurs the line between the real world and digital—we no longer “log in” at our desks from nine to five but we are part of a digital and human “power grid”. For many organizations, local Facebook pages show high levels of activity vs. global corporate Websites and organizations find their employees asking why internal tools can’t be social and mobile. Networks now drive much of the Web’s traffic as billions of people share links and opinions about the world around them. As a result of all of this activity—huge amounts of data or “social data” is currently flooding the current global digital ecosystem. This sets the stage for an era that’s already begun, but is still in it’s infancy. 

Social Business: Connected, Adaptive & Intelligent
Despite much of the chatter around “social business”, the reality is that most organizations are currently dealing with the realities of social media and only a few truly recognize the potential of social business. Not unlike how digital media evolved into digital business—social business takes the foundation of social media and begins to build new economic models on top of it. Proof points include models such as Kickstarter which disrupts old economic models by empowering any venture to become a funded venture. Existing business models however, are also presented with new opportunities (and threats). Business models where new connections are formed to the benefit of both the business, customer and even employee and shareholders are a core tenet of “social business”. One could make the argument that Apple, while infamous for it’s secret culture acted as a social business when they chose to connect to would be developers instead of trying (in vain) to design apps themselves. It is this kind of connected ecosystem which is linked to the idea of social business as well as the ability to adapt to conditions based on the intelligence a business can interpret. In the immediate years to come, the amount of data available to the average business will be infinite, however the data will be meaningless without the ability to interpret and act upon it. 

Winners & Losers: Navigating Today And Tomorrow’s World
Having lived and worked during the “Digital Media” and “Digital Business” era, I think we’re scratching the surface as we straddle the worlds between social media and social business today. While there are many similarities to the past, there are also several key differences. Today, digital has become embedded into the lives of millions of people and a generation who has never known life before it pours into our workforce and gradually rises in the ranks. Also, it’s worth noting that the above chart doesn’t suggest that any of the eras replace each other—rather they build upon one another. We are now in a social-digital environment where things increasingly move in real time. Tomorrow’s business models must not only be able to adapt to change, they must help drive that change. These are a few thoughts I’ve had percolating for some time. As a follow up to this post, I’m going to do a review of a very promising book by former colleague Peter Kim and co-author Dion Hinchcliffe (Social Business by Design). From what I’ve seen of it so far—it shows a lot of promise in terms of how a business should be thinking about these kinds of things. (below graphic pulled from the book). Would love to hear your thoughts as well.  


*eBay is an Edelman client

May 7, 2012
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How To Survive Google's Unnatural Links Warnings & Avoid Over-optimisation

[shared via Google Reader from SEOmoz Daily SEO Blog]

Posted by Modesto Siotos

This post was originally in YouMoz, and was promoted to the main blog because it provides great value and interest to our community. The author’s views are entirely his or her own and may not reflect the views of SEOmoz, Inc.

Google’s actions against “overoptimised” sites have been intensified and it seems that the recent updates are able to detect various links-related overoptimisation violations that can result in short or long-term positional drops, with or without warnings. Even though Google announced the Penguin update on the 24th if April 2012, changes on Google’s link evaluation system have been noticeable several weeks before the public announcement.

It appears that in some cases Google has been overzealous, hitting (temporarily) even websites with rather natural link profiles. In other cases, Google admitted algorithmic classification mistakes, publishing apologetic messages like this one Matt Cutts posted on Google+.

According to Patrick Altoft (branded3) the sites that have received unnatural links notifications fall under five main categories, and they are not just the ones participating in link exchanges or other types of link networks. Rand made a Whiteboard Friday video about 6 changes every SEO should make before the overoptimisation penalty hits. Now that Google has rolled out the Penguin update against “black web spam,” making sure that your website’s backlink profile does not violate Google’s quality guidelines is quite essential, especially if your traffic has gone down.

This is a follow up to the post ‘How to Monitor Your Website For Link Equity Loss’, which can be used to identify backlinks from low quality or penalised/deindexed websites. However, this post intends to cover the following links related overoptimisation cases:

A) Excessive Link Acquisition

B) Site-wide links detection

C) Unnatural Anchor Text Distribution

D) Unnatural Spread of Links Authority

A. Excessive Link Acquisition Check

Acquiring a high number of links over a short period of time has never been a good practice and webmasters need to keep an eye on the levels of acquired links, especially these days that negative SEO seems to become more of an issue. Phrases like the following one from Dan Thies, seem to be heard more often lately:

“Both sites have received “unnatural links” messages in Webmaster Tools. Neither site has had a “link building” campaign ever. By using 3rd party tools (e.g. Majestic) I can see a lot of unnatural links pointing at both sites, but I didn’t put those links there”

There are two quick ways to check your site’s link acquisition velocity, using Ahrefs or Majestic SEO.

Extremely  High Link Acquisition Velocity (Ahrefs) 

Unnatural Link Acquisition Velocity (Majestic SEO historic index, cumulative view)

B. How To Check For Site-wide Links

A high number of blog-roll, header, footer or sidebar links can trigger Google’s “overoptimisation” wrath and keeping them to a minimum would be a rather reasonable thing to do. Certainly some site-wide links may have occurred naturally but the less “overoptimisation” signals you site sends out, the better. There are a few ways to quickly check your website against site-wide links with the quickest one being Webmaster Tools.

Under ‘Your site on the web’ -> Links to your site WMT list the domains that link the most to your site. The ones that link several times should be flagged as potential site-wide links and be manually checked.

Using Webmaster Tools to detect site-wide links is a rather easy and quick way. However, because WMT don’t report all backlinks Google actually see, for a more thorough investigation a third party link intelligence service should be used such as Majestic SEO, Open Site Explorer, Ahrefs etc. One thing to bear in mind using any 3d party service, is that their crawlers do not try to replicate Google’s behaviour, therefore in some cases the data can be significantly skewed. This is particularly the case for links from web sites that Google has removed from its index but the 3d party services will still report as normal links. 

A section in the Ahrefs FAQ page reads: “Having the full information at hand you may decide on subjective estimates of links and figure out real situation with the given website or page”. In a similar manner a Majestic SEO rep commented that:

 ”Our index is independent of Google and will remain so. If Google has banned a site, it does not mean there are no longer links to that site. We map the link graph – not Google’s interpretation of it.”

C. How To Check For Unnatural Anchor Text Distribution

Overoptimised anchor text seems like a ticking bomb, especially after Google made public the following two messages:

“Tweaks to handling of anchor text. [launch codename “PC”] This month we turned off a classifier related to anchor text (the visible text appearing in links). Our experimental data suggested that other methods of anchor processing had greater success, so turning off this component made our scoring cleaner and more robust.”

“Better interpretation and use of anchor text. We’ve improved systems we use to interpret and use anchor text, and determine how relevant a given anchor might be for a given query and website.”

This task is quite more complicated because, ideally, you need as much data as possible. Exporting anchor text data from as many different data sources as possible is strongly recommended e.g. Majestic SEO, Ahrefs, Open Site Explorer, Sistrix, Blekko. 

Next you would need to filter the data removing the following:

  • Dead links - These are sites that no longer link to your site but used to link in the past. Filtering out the dead links is absolutely necessary and some 3d party services offer such tools. Otherwise, proprietary link checkers can be used like the one we use at iCrossing UK - Alex Ovsianikov’s creation. Counting dead links into a backlinks audit can result in wrong conclusions.
  • Deindexed linking root domains - It’s rather pointless carrying out a backlinks audit for Google including links from sites that Google has deindexed. NetPeak Checker, makes this task quite easy as it is explained on this post.
  • No follow links - These are unlikely to cause any overoptimisation issues and could be discounted
  • Site-wide links - These should be counted once, otherwise the anchor text distribution will be greatly skewed. Different services treat site-wides differently; hence you need to pay extra attention at how each service treats them.

After having applied the above filters, the remaining backlinks data could be analysed for different anchor text types such as:

  • Exact match targeted keywords e.g. hr software
  • Broad match keywords e.g. online hr software system
  • Brand terms e.g. BreatheHR, www.breatheHR.com
  • Keyword + brand terms e.g. Breathe HR software system
  • Image links
  • Other e.g. ‘click here’, ‘this site’ and other natural anchor text that doesn’t fall under any of the above categories.

Having classified all different anchor text variations, it is now relatively easy to spot weaknesses - pay particular attention for spikes on exact match keywords as in the following graph:

D. How To Check For Unnatural Link Authority Spread

Another area where overoptimisation can occur is when backlinks are consistently gained from authoritative domains. Tom Anthony created a handy link profile tool to detect such anomalies.

 

In the following example the links authority of the site represented by the blue line seems quite unnatural compared to the backlinks authority spread of the other 4 sites, which seems far more natural. Any high spikes towards the middle of the graph could potentially be flagged by Google as suspicious attempts of PageRank maninpulation. 

Proactively carrying out the above checks will help identify weaknesses on a site’s backlink profile and be better prepared for Google’s current and forthcoming “overoptimisation” updates.

 

Don’t Let The Penguin Leave You In the Cold

As with any new algorithmic update there will be winners and losers. Google have acknowledged that and there is a feedback form for web masters who feel that their site should not have been affected by the Penguin update.

If all the above fails, then try this petition where site owners are urging Google to kill the penguin update.

 

About the author
Modesto Siotos (@macmodi) works as a Senior Natural Search Analyst for iCrossing UK, where he focuses on technical SEO issues, link tactics and content strategy. Modesto is happy to share his experiences with others and posts regularly on digital marketing blog Connect.


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May 6, 2012
#ifttt #reader
The Path from a Social Brand to a Social Business

[shared via Google Reader from Brian Solis]

I’ve been a long-time supporter of MediaTemple’s (MT)Residence program along with Gary Vaynerchuk, Neil Patel, and many others whom I respect. I wanted to share my “7 questions to answer to become a social business” with you here..

Social Media is pervasive and is becoming the new normal in corporate marketing. Brands who get this right are starting to build their own media networks rich with customer connections numbering in the millions. Right now, Coca-Cola has over 34 million fans on Facebook, but they’re hardly alone. Disney follows just behind with 29 million fans, Starbucks boasts 25 million, and Oreo, Red Bull, and Converse play host to over 20 million fans. If we were to look at other networks such as Twitter and Youtube, we would see a recurring theme. People are connecting en masse with the businesses they support and new media represents the ability to cultivate consumer relationships in ways not possible with traditional earned or paid media.

Sounds great right? This might sound abrupt, but the truth is that we’re hardly realizing the potential of what lies before us. Everything begins with understanding not just how other brands are marketing themselves in social media, but also seeing what they’re not doing and envisioning what’s possible.

We’re already approaching the first of many crossroads that new media will present. Do we take the path of a social brand or that of a social business? What’s the difference? A social brand is just that, a business that is remodeling or retrofitting its existing marketing practices to new media. A social business is something altogether different as it embraces introspection and extrospection to reevaluate internal and external processes, systems, and opportunities to transform into a living, breathing entity that adapts to market conditions and opportunities.

It’s a tough decision to make right now especially at a time when all we read about is how much success many businesses are finding without having to answer this very question. With all of the newfound success in social networks, the truth is that we’re only just beginning to learn what’s possible and that’s where you come in. When compared to the investment in time and resources across the board, social media represents only a small part of the mix. But with your help, that’s all about to change.

The CMO Survey, an organization that disseminates the opinions of top marketers in order to predict the future of markets, recently published a report that gave credence to the fact that social media is taking off. One of the most profound takeaways from the report was this gem; “The “like button” [in Facebook] packs more customer-acquisition punch than other demand-generating activities.” With insights like this, it’s easy to see why the race to social is becoming heated.

The report also highlighted exactly where social fits in the marketing mix today and as you can see, despite all of the hype, it’s not a dominant focus yet. As of August 2011, the percentage of overall marketing budgets dedicated to social media hovered at around 7%. However, in 2012 the investment in social media will climb to 10%. And, in five years, social media is expected to represent almost 18% of the total marketing budget. Think about that for a moment. In 2016, social media will only represent 18%?

Queue the sound of a record scratching here. With businesses finding success in social networks, why are businesses failing to realize the true opportunity brought forth by the ability to listen to, connect with, and engage with customers? While there’s value in earning views, driving traffic, and building connections through the 3F’s (friends, fans and followers), success isn’t just defined simply by what really amounts to low-hanging fruit.

The truth is that businesses cannot measure what it is they don’t know to value. As a result, innovation in new engagement initiatives is stifled because we’re applying dated or inflexible frameworks to new paradigms. Social media isn’t owned by marketing, but instead the entire organization. This changes everything and makes your role so much more important. It’s up to you to learn how to think outside of the proverbial social media box to see what others don’t, the ability to improve customers experiences through the evolution of a social brand into a social business. Doing so will translate customer insights from what they do and don’t share in social networks into better products, services, and processes.

See, customers want something more from their favorite businesses than creative campaigns, viral content, and everyday dialogue in social networks. Customers want to be heard and they want to know that you’re listening. How businesses use social media must remind them that they’re more than just an audience, consumer, or a conduit to “trigger” a desired social effect.

Herein lies both the challenge and opportunity of social media. It’s bigger than marketing. It’s also bigger than customer service. It’s about building relationships with customers that improve experiences and more importantly, teaches businesses how to re-imagine products and internal processes to better adapt to potential crises and seize new opportunities.

When it comes down to it, Twitter, Facebook, Youtube, Foursquare, are all channels for listening, learning, and engaging. It’s what you do within each channel that builds a community around your brand. And, at the end of the day, the value of the community you build counts for everything. It’s important to understand that we cannot assume that these networks simply exist for people to lineup for our marketing messages or promotional campaigns. Nor can we assume that they’re reeling in anticipation for simple dialogue. They want value. They want recognition. They want access to exclusive information and offers. They need direction, answers and resolution.

What we’re talking about here is the multidimensional makeup of consumers and how a one-sided approach to social media forces the needs for social media to expand beyond traditional marketing to socialize the various departments, lines of business, and functions to engage based on the nature of the situation or opportunity.

In the same CMO study, it was revealed that marketers believe that social media has a long way to go toward integrating into the overall company strategy. On a scale of 1-7, with one being “not integrated at all” and seven being “very integrated,” 22% chose “one.” Critical functions such as service, HR, sales, R&D, product marketing and development, IR, CSR, etc. are either not engaged or are operating social media within a silo disconnected from other efforts or possibilities. The problem is that customers don’t view a company by silo, instead they see one company, one brand, and their experience in social media forms an impression that eventually contributes to their view of your brand.

The first step here is to understand business priorities and objectives to assess how social media can be additive in achieving these goals. Additionally, surveying the landscape to determine other areas of interest as its specifically related to your business.

• Are customers seeking help or direction?

• Who are your most valuable customers and what are they sharing?

• How can you use social media to acquire and retain customers?

- What ideas are circulating and how can you harness user generated activity and content to innovate or adapt to better meet the needs of customers?

- How can you broaden a single customer view to recognize the varying needs of customers and how your organization can organize around each circumstance?

- What insights exist based on how consumers are interacting with one another? How can this intelligence inform marketing, service, products and other important business initiatives?

- How can your business extend their current efforts to deliver better customer experiences and in turn more effectively unit internal collaboration and communication?

Customer demands far exceed the capabilities of the marketing department. While creating a social brand is a necessary endeavor, building a social business is an investment in customer relevance now and over time. Beyond relevance, a social business fosters a culture of change that unites employees and customers and sets a foundation for meaningful and beneficial relationships. Innovation, communication, and creativity are the natural byproducts of engagement and transformation. As a social brand, we are competing for the moment. As a social business, we are competing the future in all that we do today.

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Please consider ordering The End of Business as Usual today…

May 6, 2012
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